立体构成

空间造型理念——深入系统阐述“立体构成”的基本知识点和技能点，将理论与实际应用完美结合

新视野新突破——大量运用实际图片讲解立体构成各要素间的原理、规律、法则、技巧

案例带动教学——每章后设置精品案例点评和训练题课，以点带面，便于读者提高运用立体构成的综合能力

配套素材光盘——为方便读者学习，本书免费赠送光盘，包括每章所用的素材图片

立体构成作为设计领域的一个重要方面，已经越来越广泛地应用于人们的日常生活、学习和工作等各个领域，已经成为艺术设计领域必不可少的组成部分。

全书以实用技能培养为出发点，以图片实例讲解为先导，形象直观地阐述立体构成的设计思路和表现方法，采用文字和图片相结合的教学模式，阐述立体构成的运用理论，并融入了许多实际经验，具有较强的针对性与指导性。

熟练掌握立体构成技能，可以从事工业设计、园林设计、景观设计、建筑空间设计、室内设计、服装设计、家居日用品设计、陶艺设计、首饰设计等多方面的职业。

本书内容丰富、结构清晰、实战性强，是读者进行学习的最佳蓝本。既介绍了立体构成的基础知识，又着重介绍了立体构成在创作过程中的思维方法和表现手段，通过精选的6章内容为读者进行立体构成设计奠定了坚实的基础。

本书由教学一线骨干教师合作编写，由赵宇赤统稿并任第一主编，唐保平任第二主编，王树彬、孙大伟任副主编。第1章、第5章、第6章由赵宇赤、王树彬编写，第2章、第3章、第4章由唐保平、孙大伟编写。

由于时间仓促，加之编者水平有限，书中疏漏和错误之处在所难免，恳请广大读者批评指正。

编者

2011年2月

第1章 立体构成概述 ························1
1.1 空间立体构成的研究意义 ·····························2
1.1.1 立体构成的起源与发展 ······················9
1.1.2 立体构成的概念及特征 ····················12
1.1.3 立体构成与空间设计的关系 ············14
1.1.4 作品赏析 ············································18
1.2 立体构成设计的思维方法 ···························21
1.2.1 确立设计的思维模式 ························22
1.2.2 确立空间的思维模式 ························22
1.2.3 在立体造型过程中提高审美修养 ····24
1.2.4 在设计实践中提高创新能力 ············25
1.2.5 作品赏析 ············································26
1.3 思考与练习 ···················································30
第2章 立体形态设计 ······················31
2.1 造型与形态 ···················································32
2.1.1 立体形态的构成特点 ························34
2.1.2 立体形态的物理空间与心理空间 ····34
2.1.3 作品赏析 ············································36
2.2 立体构成形态的知觉感受表现 ···················37
2.2.1 形态的量感 ········································37
2.2.2 形态的生长感 ····································38
2.2.3 形态的速度感 ····································39
2.2.4 形态的和谐感 ····································40
2.2.5 形态张力的塑造 ································40
2.2.6 形态立体空间错觉 ····························41
2.2.7 作品赏析 ············································42
2.3 立体构成的美学原则 ···································43
2.3.1 对称与均衡 ········································43
2.3.2 节奏与韵律 ········································45
2.3.3 对比与微差 ········································46
2.3.4 比例与尺度 ········································48
2.4 思考与练习 ··············································50
第3章 立体形态的美感创造 ···········51
3.1 立体形态的解析与重组 ·······························52
3.1.1 线材立体构成 ····································52
3.1.2 面材立体构成 ····································54
3.1.3 单元形体的拆解与组合构成 ············55
3.1.4 作品赏析 ············································58
3.2 减法创造 ·············································59
3.2.1 分裂 ··············································59
3.2.2 破坏 ··············································60
3.2.3 退层 ··············································61
3.2.4 切割 ··············································61
3.2.5 作品赏析 ············································63
3.3 加法创造 ·············································64
3.3.1 堆砌组合 ············································64
3.3.2 接触组合 ············································64
前言
目录
MULU
目 录
3.3.3 贯穿组合 ············································64
3.3.4 嵌入组合 ············································65
3.3.5 充填与包裹嵌入组合 ························66
3.4 思考与练习 ············································68
第4章 立体形态构成的分析 ···········69
4.1 立体构成的材料分析 ···································70
4.1.1 硬质材料 ············································70
4.1.2 软质材料 ············································72
4.1.3 动态材料 ············································74
4.1.4 作品赏析 ············································75
4.2 立体形态的结构分析 ···································76
4.2.1 插接构造 ············································76
4.2.2 折屈联系 ············································77
4.2.3 框架组合结构 ····································78
4.2.4 作品赏析 ············································79
4.3 立体形态构成的功能分析 ···························80
4.3.1 立体形态构成对审美能力的培养 ····80
4.3.2 立体形态构成对动手实践能力的
培养 ····················································81
4.3.3 作品赏析 ············································82
4.4 立体形态构成的色彩情感分析 ···················83
4.4.1 主体形态与附加形态间的色彩
关系 ····················································84
4.4.2 色彩的轻重感加强形态间的稳
定性 ····················································85
4.4.3 材料的色彩和质感的效果 ················86
4.4.4 形态的设色与环境相互影响 ············87
4.4.5 立体形态与光 ····································89
4.4.6 作品赏析 ············································90
4.5 立体形态的肌理效果分析 ··························91
4.5.1 肌理的作用 ········································91
4.5.2 肌理与光感 ········································93
4.6 思考与练习 ·········································94
第5章 立体形态构成的加工制作
工艺 ···································95
5.1 立体构成材料及加工制作 ···························96
5.1.1 纸立体形态的加工制作方法 ············96
5.1.2 软陶形态的加工制作方法 ················99
5.1.3 绳编立体形态的制作方法 ··············101
5.1.4 木雕立体形态的加工制作方法 ······104
5.1.5 金属立体形态的加工制作方法 ······107
5.1.6 作品赏析 ··········································110
5.2 立体形态的模具翻制工艺 ·························111
5.2.1 石膏翻制工艺 ··································111
5.2.2 玻璃钢翻制工艺 ······························113
5.2.3 作品赏析 ··········································115
5.3 思考与练习 ··········································116
第6章 立体构成与现代设计 ·········117
6.1 立体构成在景观设计中的应用 ·················118
6.2 立体构成在室内设计中的应用 ·················128
6.3 立体构成在产品设计中的应用 ·················133
6.4 立体构成在服饰品设计中的应用 ·············139
6.5 思考与练习 ···········································145
参考文献 ········································146

1. 信息技术基础立体化教程 [邹承俊 周洪林 刘和文 叶煜 ]
2. 计算机信息技术素养立体化教程 [主 编 陈郑军 敖开云]
3. 信息技术基础立体化教程 [邹承俊 周洪林 雷文全 刘和文]
4. 计算机应用基础立体化教程（Windows 7+Office 2010） [邹承俊 周洪林 雷文全 刘和文]
5. 立体构成 [杨娟]
6. X3D三维立体网页设计 [张金钊 张金锐 张金镝]